Mac Style.
- X AIR Edit provides full control over all mixing, processing and effects functions of X AIR X18, XR18, XR16 and XR12 digital mixers right from your Mac. The X AIR EDIT user interface is optimized for touch-panel operation and provides simple, intuitive access to expert-level editing for mixing 18 input channels to 12 buses, including 4 internal.
- Under Editor Tool, click PTouch Editor 5.x link. Read the End-User License Agreement then click Agree to the EULA and Download. Enter the last 9 characters of the Serial Number - can be found in the rear of the machine - and then click Submit button. For Windows Operating System: See steps 8-12. For Macintosh: See steps 13 -15.
- P-touch Editor allows you to create templates with various kinds of designs. To download the latest driver and software, please go to the section of this website. For information on how to use P-touch Editor, please refer to other related FAQs: For Windows users, click here. For Mac users, click here.
- Accelerated performance with Metal. Metal dramatically accelerates graphics tasks like rendering, real-time effects, and exporting. Video editors on 16-inch MacBook Pro will benefit from render performance that is up to 20% faster while editors using iMac Pro will see gains of up to 35%. 1 And with new Metal support, 8K RED RAW transcodes are up to two times faster on Mac Pro, and up to three.
You should use a different editor that can have its binary run properly from the command line like SublimeText (sudo subl /path/to/file) or TextMate (sudo mate /path/to/file). Or just suck it up and use vi or nano:-) If you're going to be doing a lot of this type of thing TextEdit is probably the least desirable editor to use anyhow.
Highly Compatible.
Bring your own DMX interface: USB, Art-Net, sACN, or ESP-Net.
Vastly Powerful.
Lightkey’s built-in FX engine takes your light show to a new level.
Surprisingly Simple.
Easy to learn, quick to set up. Engineered exclusively for Mac.
Highly Compatible.
Bring Your Own DMX Interface.
Save the cost of expensive proprietary DMX hardware: Lightkey works with a wide range of USB interfaces plus any Art-Net, sACN, or ESP-Net-compatible device, thanks to the Open Lighting Architecture. Whatever DMX interface you have, there’s a good chance that Lightkey supports it—simply download Lightkey for free, plug in your interface, and give it a try.
Choose from a wide range of USB–DMX interfaces from various manufacturers
Or use any Art-Net, sACN, or ESP Net network interface
Hardware Control.
Enhance Your Experience.
Do you prefer the physical controls on a lighting console? Then you can have the best of both worlds. Lightkey integrates seamlessly with any standard MIDI controller and DMX console (through DMX-In). You can map each hardware control to whatever feature you like and build your own custom-tailored show control desk to trigger cues, presets and sequences, adjust fixture properties, tap the beat, and whatever else you need.
Designed for Creativity.
Take Your Light Show to a New Level.
Designed for the needs of creative lighting designers, Lightkey breaks free from the old thinking about DMX values and channels. Thru advanced fixture profiles it understands all your fixtures’ properties—like Color, Gobo, Shutter, Prism, Zoom—, and provides specially-designed, easy-to-use controls for each of them. The current state of your fixtures is always visible in the live preview. Simply concentrate on the perfect light show and let Lightkey translate it to the proper DMX values.
X-touch Editor Software Mac
Virtual Light Beams
Virtual light beams show your lights’ real-world positions and also reflect intensity, color, focus, zoom, iris, frost, and shutter/strobe states.
Built-In Stage Editor IMPROVED
The built-in graphical editor lets you recreate the stage or dance floor on the screen. Apart from your fixtures you can add shapes, trusses, and custom images.
Copy & Paste
Easily copy and paste properties and effects between fixtures – even fixtures of different types. Of course, you can undo as well.
At a Glance
Little “bubbles” in the Preview show you at a glance which fixture properties are overridden or defined by a preset, sequence, or cue.
On-the-Fly Changes
Quickly change any fixture property on the fly—perfect for nightclubs and parties where you don’t have a song run sheet in advance.
Intelligent Design View
The Design view automatically adapts itself according to your fixtures and their properties so you only see the controls you really need.
Real-World Pan/Tilt Locations
Lightkey knows your moving light’s pan/tilt range, home position, and rotation direction. With this information it calculates the exact beam position on the stage or dance floor, so the preview always shows the fixture’s real-world position, letting you point your lights wherever you like with just a single mouse click. Even if you select multiple devices from different manufacturers, Lightkey will calculate the individual DMX values for each of them so they all point in the same direction.Effects.
Infinite Possibilities.
Lightkey’s powerful effects engine makes it easy and fun to create amazing dynamic looks. Choose from over 50 effect templates or create your own pattern, curve, or movement effects. Effects can be applied to almost any fixture property and stored in presets and cues while staying editable all the time. Apply effects to multi-beam LED strips and matrixes. Synchronize effects to music. Overlay multiple effects for countless possibilities.
Beat Control.
Stay in the Rhythm.
Effortlessly sync your light show to music. Lightkey connects to your DAW, DJ app, or audio analysis software through MIDI Clock or Ableton Link. Or simply tap the beat and Lightkey will continue at the same tempo. You can adjust the speed of individual cues at any time with a Beat Multiplier.
Tap the Beat
Tap the beat with the mouse, keyboard, or a MIDI controller, and Lightkey will pick up the tempo.
MIDI Clock
Receive a MIDI Beat Clock signal sent by a DJ software, mixer, or audio analysis tool.
Ableton Link
Ableton Link syncs beat information between apps on the same computer or local network.
Always in Sync.
Run Your Lighting From Ableton Live.
The unique Live Triggers feature makes it quick and intuitive to trigger lighting cues directly from Ableton Live: Simply drag cues you created in Lightkey to the Ableton Live timeline. If you’re a live performer, you can create a light show that’s perfectly in sync with the music without any manual operation during the show.
Setup.
Surprisingly Simple.
An interactive assistant guides you through the entire setup process: Configure DMX output, patch your fixtures, create a visual representation of the stage. And if you ever need a fixture profile that is not in the built-in library, simply send us the DMX specs and we’ll create it for you within a few days.
This 2D view of your lighting rig shows the current state of the fixtures with virtual light beams
Create and organize presets and sequences
Build a custom-tailored control panel with buttons and faders to control your lights during a show
Shows keyboard shortcuts and gestures for the current context
Command Central.
Don’t waste your time shuffling windows and panels around. Everything you need is cleanly arranged in a single window, providing you with exactly the controls you need at any time. The elegant, white-on-dark UI has been specially designed for use in low-light environments—it even adapts itself to the light colors.
Full-Screen Mode
The single-window user inte]]>
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In the edited version of episode 83 ('A Cake on Every Plate'), 
Alton Brown deciphers the mystery of what actually goes inside the delightful and 'easy to make' yellow golden cake. Now if you are like me and especially if you have children that scream CAKE as if it's instinctual and must be had on a daily basis, you probably venture into the supermarket aisle and select one of those easy to bake cake boxes.My daughters favorite color is pink (to be honest, regardless of color they all taste the same to me), add in some water (eggs and butter) if you want to be fancy, throw it into an aluminum four for a dollar tray, pop into the oven and listen our for your kids screaming 'Hurray' as they push past you into the kitchen to have their first bite (yes, while its still blistering hot). I am personally not much of a baker, but yes, even I have tackled the yellow cake from scratch. I will not, however, own up to scaling the results. Okay, it was a 4 (out of 10), so let's just say seafood is more my forte.While Brown from the early years performs an autopsy on an old cake to check for content and possible reasons for grandmas mysterious death, we do learn that everything that goes into a cake either strengthens, tenderizes, dries it put, moistens it, or adds flavor. As usual, I've forgotten what we were making. Pork chops? No, wait, I'm back! Cake! Oh my, Brown is talking about balance. I anticipated that making this recipe might involve a technical process, always entailing precision and requiring an army of professional bakers (maybe I should enlist a few and keep them on retainer).Of course, the digital scale comes out and so do mathematical conversions triggering flashbacks to that D I got in Calculus. To make the most exceptional and moist cake, mix the ingredients (after measuring them out: 342g flour, 295g milk, 228g butter, 14g baking powder) and then feel free to start feeling overwhelmed. All ingredients are mixed in a ritualistic manner (am I the only one who thinks Brown would make an exceptional serial killer?) and popped into the oven at 350 degrees. Remember to only use aluminum cake pans (no spoilers but definitely good to know) and of course, turn them upside down when they are finished to let them rest for an hour. In that hour, my child would consume the entire cake and any crumbs remaining. Lastly, don't forget the frosting and enjoy. Whatever is left of it that is.
